Tuesday 19 May 2015

EXP 3- Draft Mashup


Architecture is about constructing–putting the arcane of shapes together and providing some kind of order. This order has spatial consequences and the ability to shape daylight, to interrogate it objectively is what we can call architecture as “the art of building”. Innovation is the basis of architecture. It becomes possible to shape a building according to complex geometries and curves and folds. “Brick – by and large – isn't a structural substance any more, it's a skin. But it's what the skin looks like that counts.” 

Materiality is as much a celebration of regionality as bringing dynamism to static structure, imbuing buildings with a sense of time. Daylighting lends itself to inventiveness and is a magic ingredient in architecture. Most spaces have lighting requirements tied to the functions we perform in them. The architects need to serve the public, the communal needs and some desires of the people. 

Renderings are a powerful way to capture and communicate these ideas—a necessary complement to the hard line plans and sections that comprise much of the architect’s lexicon. This enables architects to work on the science that is beyond architecture and also the poetry that is part of architecture simultaneously: to understand with equal ease the aesthetic and pragmatic implications of design decisions.





Sunday 10 May 2015

EXP 2 Submission- Links

Concepts
Axonometric Drawings
Electroliquid Aggregations
Lumion Screenshots 
Sketchup Model and Lumion Files

EXP 2 Submission- Sketchup Model and Lumion Files

Sketchup Model
Lumion

EXP 2 Submission- Lumion Screenshots

New Concept: "The use of logical shape in both formal and informal ways, such that the combination consists of illogical and blurred spaces."

From afar, the marker triggers curiosity through the combination of formality and informality in its shapes and overall structure.
The marker offers unique views of the illogical spaces from different points of views, enhancing its visual presence and thus the sports centre's as well. The spire in the marker ascends above everything else and can be seen in parallel with the telegraph pole.
On closer inspection of the marker, it is an assortment of smaller elements creating blurred spaces, whilst being dominated by the larger visual components.

The spire is a core element of the marker and is covered with the DARK texture as it stands out among the smaller elements with lighter textures.
The central platform of the marker. The monument as a whole is quite open and can be seen as both sustainable and aesthetic.


A MEDIUM texture was applied to the immediate component seen above because throughout the day, it achieves a healthy balance between light and shadow whereas the other two are either covered with shadow or lit up by natural light. The rectangular prism wall with the LIGHT texture contrasts with the illogical shapes that stand next to it and often receives the most light.
Viewpoint from the marker overlooking the sports centre.


From the back and side, visitors may ascend onto the marker as it also serves as a place to relax and admire the surroundings.

At night, the spire is immersed in darkness as if being given a period of rest. The rectangular platform becomes the central focus at night.

Connecting the marker to the sports centre are smaller solar-powered spires which light up at night. This grants safe access to the marker at night and also promotes sustainability and technology, both important aspects of the sports centre and the marker.
Overall view of the site and the marker.

EXP 2 Submission- 36 Textures


EXP 2 Submission- Electroliquid Aggregation




EXP 2 Submission- Axonometric Drawings








EXP 2 Submission- 5 Concepts from Each Architect


EXP 2 Week 3- Sketchup Model With Textures and Macro Elements



LIGHT

MEDIUM

DARK